'Paintings of William Edouard Scott and Claude Monet'

' twain works of guile that charter invigorate generations of art lovers ar rainy Night, Etaples, multi-coloured in 1912 by William Edouard Scott, and The church service of San Giorgio Maggiore, Venice, created in 1908 by Claude Monet. Currently, two videos ar vauntinged in the IMA Museum in Indianapolis, Indiana. rainy Night, Etaples is displayed in the American section and The perform of San Giorgio Maggiore, Venice is displayed in European section. The two films take a shit the grotesque shape of their painters and dissent in the reflection of flatboat. They similarly differ in their sizes, and the painters were inspired by different themes term creating these masterpieces. The two charming pieces of art are the strokes of two swell masters and differ because they portray the unique styles of the painters and are make on the aforementioned(prenominal) medium and are visual works of impressions.\nRainy Night, Etaples that is next to The Olive orchard vide o in the MLA museum in a 25 1/2 x 31 in. 33 x 39 1/4 framed painting, which was created in 1912. The hearty employ for the painting is oil on canvas. The painting shows a picturesque play of light and darkness, which is not entirely black, but has a bluish hue. The painting shows a rainy view of a street of Etaples, which is a metropolis in Normandy, France. Most of the paintings of Scott have a parkland subject of the pass domicil of total heat Ossawa Tanner, his mentor. The summer residence of Tanner was in Etaples, and Scott has used the city in nigh of his paintings (Rainy Night, Etaples, 2014).\nThe Church of San Giorgio Maggiore, Venice, which is beside The Quai dAusterlitz painting created in 1908 by Claude Monet is a 25 1/2 Ã- 36 1/4 in. 34 x 44 5/8 in. framed painting. The material used is same(p) as Rainy Night, i.e. oil on canvas. Monet has devoted a series of paintings to this Church of Venice. In this painting, Monet has once again shown his dedication to the display of reflection of light, although the painting appears slightl... '