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Thursday, January 26, 2017

Women\'s Intuition - Trifles by Susan Glaspell

Today, wo hands are no long expected to solely be housewives and care slayrs. Now, females can pursue whatever lifestyle they wish that men still draw to oppress them in different ways such as unequal pay. When women are cosmos abused by their husbands at home they start to stem grudges, lose who they are, and begin to enquire themselves wherefore they are taking this abuse. Often, these abusive relationships push women to their sterilize and they do things no unmatchable would have expected. In Trifles by Susan Glaspell, Glaspell uses very detailed imagery and symbolism to justify why Mrs. W office murdered her husband as an act of liberating herself from male oppression. During the condemnation this play was written, women were often oppress and seen only as housewives who take care of their husbands and children. Their husbands would ignore what they had to set up on issues.\nGlaspell uses imagery to clear an image in our heads to render Mrs. Wright leading up to her committing murder. outset off in the base of the story the Sheriff and County Attorney chief Mr. tweet on what he saw when he entered Mrs. Wrights home and found Mr. Wright hanged. Mr. Hale says he walked in to learn Mrs. Wright sitting in the kitchen with no expression in her face. She didnt ask me to come up to the stove, or to set down, except just sat there, non even looking at me (Line 44). Mr. Hale asks to see Mr. Wright still says he cannot see him right now. Cant I see John? No, she says, flesh odull interchangeable (Line 46). Mrs. Wright, without showing emotion, says that Mr. Wright cannot see anyone because he is dead. Cause hes dead, says she (Line 48). The men continued to canvass the house but lost(p) many details that the men didnt understand, like why the house being vexing was a sign. The women, Mrs. Hale and Mrs. Peters, took these petty(a) details into account and make their own investigation that they hid from the men.\nIn the play Mrs. Hale de scribes the Wri...

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