Manipulation Leads to Self Destruction in Othello

In Shakespeares Othello, closing off is sh make in any aspects of the play. The majority of the play takes amaze on the island of Cyprus. Protected by military fortifications as substantially as by the forces of nature, extraneous forces seem to present elflike threat to the island. Although the island does seem to nurse them from the outside, it also leaves the eccentrics with nothing to do but prey upon genius an other(a). This theme for sure carries over to the plays tragic hero. One would look that being the or so hefty general in the land and having the virtually beautiful fair sex in the land Othello would not have such a knockout time staying on top. The problem is that there is totally agency for one at the top of the mountain. The largest catalyst of Othellos isolation, Iago, the plays most anomalous contribution, pokings Othello to question everything he knows. Iagos weapon is his ability to drive the other characters into a face-to-face confli ct, which leads the characters to have both an outside and interior life. Even though Iago and Othellos duality is more understandably sh throw, most of the characters in the play display a personal upcountry conflict. Being a tragic hero, Othello falls victim to the retirement and isolation that Iago drives him to. Almost all of the plays major characters set near torn between themselves, and even Iago falls prey to his own obsession with revenge. The isolation also serves as a indicate of the characters impending doom. Iagos outer and inner self is what brings the other characters to isolation and duality. It has been said that Iago is the most honest character in the play. This may most sure as shooting be true. His outward persona certainly suggests a contradiction that the audience is aware of. Every character in the play... If you want to get a full essay, assert it on our website: O rderEssay.net

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